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After chilling on the book
thing for a little while, I went back and started in on a basic edit.
My goal at this point is simply to fix glaring grammatical errors and
other signal noise that crept in while I was writing at a frenzied pace.
"The thing," as I began calling in the early stages when I was
still without a title, is amorphous and loose, like burned skin. Hard
to tell if it'll heal into something fleshy and real or have to be sloughed
off and replaced.
The plan was to run through
a fast edit and then give the draft to three or four people whose opinions
I value. Susan will get a copy, but despite her best intentions to give
quality feedback, I believe she'd have a tough time telling me she thinks
it deserves the shredder. So the remaining people are selected for varying
degrees of separation from me, balancing the need to trust those to whom
I give the thing with the need to have some unbiased feedback.
I'm about halfway through the
edit, and my impressions are decidedly mixed. It seems likely that this
will turn out to be more valuable as an exercise than as a finished product.
I know I can write a complete book, 250 pages of a world constructed out
of breath. Maybe not a very good book, this time around, but that's still
a significant step. I'm pushing on through the edit, because that was
the plan, but I'm debating whether or not to pass the thing on to my evaluators.
It's just ego; I don't want someone to read something so rough, less than
beautiful. Maybe that's what all first drafts are like. I've never done
it, so I'm in a strange country. I always thought this would be the easy
part -- having finished such a thing -- but it turns out to be just another
step.
Meanwhile I have another idea
and a smattering of characters for another project, a more elaborate and
beautiful thing. They're all so untapped and potential that they shine
out in comparison with the capped and contained lifelines of people in
the book I wrote. They're like new loves, and I dream guiltily about them
at night even as I know I should be paying more attention to the old familiar
ones who stood by me for so long. I want to run away to their country.
There's just so much work to be done here. I can't just abandon the old
ones half-formed.
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